Artists representing the Movement

In our movement, each artist retains complete autonomy. We don't seek to pigeonhole or limit individual expression, but rather to combine creativity to build a solid, coherent, and transcendent avant-garde, far removed from the ephemeral nature of individual trends.

Ana Mendoza - Pintura

Gustavo Rivera "Gutí"

Costa Rica | Intervened Tiling

His work fuses tessellations with complex geometric designs that reinterpret the surface of the tessellation, resulting in works of active contemplation.

Luca Bianchi - Escultura Digital

Mariano Prado

Costa Rica | Generative Art

A pioneer of digital art in Costa Rica, he develops his works using advanced 2D and 3D image generation programs.


Sophie Leclerc - Instalación

Pierre L. Geldenhuys

Sudáfrica | Textile Tessellations

Her innovative method of Textile Tessellations, on wild silk, challenges the viewer to engage in intriguing exercises of visual interpretation.


 

Meet Our Cultural Diffusion Representatives


This movement has been officially recognized by the Costa Rican government as of:
"Cultural Interest" - Executive Agreement No. 275-C


Sello de Interés Cultural
Ana Mendoza - Pintura

Tamara Bruzoni

Argentina | Art Criticism

A communicator and cultural manager for the past 20 years, she is the Director of TPandGO Magazine Digital for Latin America and her most recent project, also her own creation, Box de Arte Curatorial.

Tamara's career →
Luca Bianchi - Escultura Digital

Andrés Garcés

Colombia | Artistic Promoter

He participates in several curatorial committees in Mexico, Colombia, and Argentina, where he has carried out serious and responsible work, promoting the careers of both established and empirical artists.

Visit his page. →
Sophie Leclerc - Instalación

Roberto Maduro

EE.UU. | Proffesor

Professor of languages ​​and humanities at higher education institutions in Oklahoma, focusing on art history and intercultural communication. Author of the "Apologetic text" of the movement.

Read the Text →

This movement does not aim to pigeonhole styles or make artists abandon their personal expressions.

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